By Piper Bayard & Jay Holmes
In Bruges was released in 2008, but it’s a favorite of mine and Holmes’ so we thought we’d share it with you. In Bruges is a drama about two hit men, Ray and Ken, who are sent to cool their heels in Bruges for a couple of weeks after a job goes a bit wrong. Here’s our take on this hysterical dark comedic drama. . . .
There’s a saying. Great characters make great stories. I have no idea who said it. Maybe I did. Nevertheless, it’s true, and In Bruges has great characters. Having spent my life around, shall we say, personalities, I found the characters in this movie to be exceedingly real and 3D. In fact, even the most minor characters, right down to the innkeeper, are deep and interesting.
The main character is a whiney young hit man with a conscience, Ray, played brilliantly by Colin Farrell. Then there are his mentor, Ken (Brendan Gleeson), who loves culture and is devoted to his dead wife to a fault, a superficially classy, but loyal, cocaine dealer love interest (Clemence Poesy), and an opinionated, racist dwarf (Jordan Prentice). Stir that up with the Belgian arms dealer boss (Ralph Fiennes) who operates from his parlor and would die for his principles, and you’d have to be blind, deaf, drunk, stoned and stupid to not get a story out of it.
As in every great story, questions arise because of these characters. Are there folks who need a good killing? Whose life is worth dying to save? When is a debt paid, and what coin is too high to pay it? And the most near and dear to my heart, is there redemption for the worst of us, and what does that even mean? In Bruges wraps these deepest of questions in humor as dark and satisfying as bittersweet chocolate.
My favorite quote is from Ray. “Prison… death… didn’t matter. Because at least in prison and at least in death, you know, I wouldn’t be in &#%in’ Bruges.”
This movie is rated “R” for good reasons. Sex, drug use, violence, and language that would curl the hair on a sailor’s toes. In fact, if you enjoy sitting through this movie with your young people, please seek out professional help immediately.
A hit man, a coke dealer, and a dwarf go into this bar . . .
I saw this movie in the company of three picky movie goers. All four of us felt that it was well worth the time and cost to see it. This movie is a dark comedy that relies more on creativity and a great script than on raw “darkness” to achieve its mood. It’s almost inaccurate to list this movie as a dark comedy; it’s a movie that stands nearly alone as “type” goes. Writer/director Martin McDonagh did not bother staying within the normal boundaries or using traditional, standard elements to create a great story. I’m glad he didn’t.
The production quality was excellent. The camera work and lighting were brilliant. The director and crew did a great job of taking advantage of the ambiance of Bruges, and the acting was outstanding all the way around. The movie is a bit on the raw side, so you might not want to bring your grandmother or children under the age of fifteen to see it. If the close up violence, the brief sex, and the generous cursing don’t disturb you, then you will likely enjoy this movie.
In Bruges is full of interesting and/or funny characters. One of the best scenes involved a snotty ticket vendor. Anyone who has played tourist has met this fellow in one form or another and will likely enjoy the outcome of the scene. It’s an outcome you may have contemplated a few times, yourself.
We both loved this movie and have no reservations in assigning it our top rating, a “.44 Mag,” which means we call it a Must See. If you can handle the sex/violence/language aspects, that is. We rarely watch the same movie twice, but we will both definitely see this movie again.
Have you seen In Bruges? What did you think of it? Are there any other movies you’d like to have reviewed by a spook and a belly dancer?